|
|
|
The Scuola of San Marco gh Painting ID:: 5115
|
BELLOTTO, Bernardo The Scuola of San Marco gh 1738-40
Oil on canvas, 42 x 69 cm
Gallerie dell'Accademia, Venice
|
|
|
|
|
|
|
|
View of the Grand Canal at San Stae Painting ID:: 5116
|
BELLOTTO, Bernardo View of the Grand Canal at San Stae 1738-40
Oil on canvas, 70,5 x 126,5 cm
Private collection
|
|
|
|
|
|
|
|
The Piazza della Signoria in Florence Painting ID:: 5117
|
BELLOTTO, Bernardo The Piazza della Signoria in Florence c. 1742
Oil on canvas, 61 x 90 cm
Museum of Fine Arts, Budapest
|
|
|
|
|
|
|
|
Capriccio with the Colosseum Painting ID:: 5118
|
BELLOTTO, Bernardo Capriccio with the Colosseum 1743-44
Oil on canvas
Galleria Nazionale, Parma
|
|
|
|
|
|
|
|
Capriccio of the Capitol Painting ID:: 5119
|
BELLOTTO, Bernardo Capriccio of the Capitol 1743-44
Oil on canvas
Galleria Nazionale, Parma
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
BELLOTTO, Bernardo
|
Italian Rococo Era Painter, ca.1721-1780
Bernardo Bellotto (30 January 1720 ?C 17 October 1780) was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedutes of European cities (Dresden, Vienna, Turin and Warsaw). He was the pupil and nephew of Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto ?? fraudulently, according to some. Especially in Germany, paintings attributed to Canaletto may actually be by Bellotto rather than by his uncle; in Poland, they are by Bellotto, who is known there as "Canaletto".
Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of vedute, may have used the camera obscura in order to achieve superior precision of urban views. |
Related Artists::. | Edith Corbet | lorens pasch d. y | Carlo Maratti | |
|